Wednesday, January 9, 2013

Psycho (1960) - Review


 
Psycho released in year 1960 directed by Alfred Hitchcock who was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho it forever changed the shape and tone of the screen thriller.

 
 
 
As per the movie story the camera techniques and camera angles are placed properly. For the beginning sequence of the movie long shot camera angles have been taken. It keeps the viewers at the edge of their seats. Hitchcock could ignite our curiosity at the outset of each film in ways unlooked at until now. Here we explore the most striking moments from each opening sequence of his theatrical films and examine his strategies for pulling in the viewer.

Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life.

 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother.

shower scene is justifiably the film's most famous sequence, The murder of Marion crane in the shower is the film's pivotal scene and one of the best-known scenes in all of cinema history. It featured 77 different camera angles. The scene "runs 3 minutes and includes 50 cuts." Most of the shots are extreme close-ups, except for medium shots in the shower directly before and directly after the murder. The combination of the close shots with their short duration makes the sequence feel more subjective than it would have been if the images were presented alone or in a wider angle.

Norman Bates is the main character in Hitchcock’s movie ‘Psycho’. At first, he seems just the ‘boy-next-door’ type of guy, who owns a cheap motel and lives with his mother. Only that the mother doesn’t exist anymore, she’s only a part of Norman’s imagination. Because of the fact that he poisoned her, he decides to compensate her absence, by saving her body, preserving it and even trying to talk in her voice. But can he handle the all too different personalities He falls in love with a client, Marion, but soon, the Mother’s personality intercedes and so Marion ends up by being stabbed with a kitchen knife while taking a shower. That’s when we understand that the Mother’s personality took over quite often, leaving Norman lost in the labyrinth of his mind. All in all, Norman Bates was a very complex psycho-killer character.


It is often ranked among the greatest film of all time and is famous for bringing in a new level of acceptable violence and sexuality in films.